Noticias
Heli de Amat Escalante, única película mexicana que aspira al Oscar 2014

La academia ha anunciado la primera lista de aspirantes a la categoría de Película Extranjera, 76 son las cintas que buscan este galardón. En los premios Oscar 2014.
La cifra sobrepasa los 71 títulos del año pasado, un nuevo récord para la categoría que incluye muchos films aclamados en festivales internacionales.
A pesar de haber sido un excelente año en taquilla para las películas mexicanas, la única que se encuentra en la lista es “Heli” del director nacido en Barcelona Amat Escalante.
La película más reciente del mexicano Amat Escalante será recordada por una secuencia: la de un joven colgado del techo al que, después de una buena paliza, le prenden fuego en los genitales. La imagen trastornó a un buen número de críticos en el pasado festival de Cannes, donde Heli, el tercer largometraje del director, inauguró la sección oficial. Ya que no es un spoiler, la escena era descrita en las notas y era el eje de las opiniones sobre la película (la mayoría no muy amables). Extracto de Letras Libres.
Avance de Heli:
La lista completa:
- Afghanistan, “Wajma – An Afghan Love Story,” Barmak Akram, director
- Albania, “Agon,” Robert Budina, director
- Argentina, “The German Doctor,” Lucía Puenzo, director
- Australia, “The Rocket,” Kim Mordaunt, director
- Austria, “The Wall,” Julian Pölsler, director
- Azerbaijan, “Steppe Man,” Shamil Aliyev, director
- Bangladesh, “Television,” Mostofa Sarwar Farooki, director
- Belgium, “The Broken Circle Breakdown,” Felix van Groeningen, director
- Bosnia and Herzegovina, “An Episode in the Life of an Iron Picker,” Danis Tanovic, director
- Brazil, “Neighboring Sounds,” Kleber Mendonça Filho, director
- Bulgaria, “The Color of the Chameleon,” Emil Hristov, director
- Cambodia, “The Missing Picture,” Rithy Panh, director
- Canada, “Gabrielle,” Louise Archambault, director
- Chad, “GriGris,” Mahamat-Saleh Haroun, director
- Chile, “Gloria,” Sebastián Lelio, director
- China, “Back to 1942,” Feng Xiaogang, director
- Colombia, “La Playa DC,” Juan Andrés Arango, director
- Croatia, “Halima’s Path,” Arsen Anton Ostojic, director
- Czech Republic, “The Don Juans,” Jiri Menzel, director
- Denmark, “The Hunt,” Thomas Vinterberg, director
- Dominican Republic, “Quien Manda?” Ronni Castillo, director
- Ecuador, “The Porcelain Horse,” Javier Andrade, director
- Egypt, “Winter of Discontent,” Ibrahim El Batout, director
- Estonia, “Free Range,” Veiko Ounpuu, director
- Finland, “Disciple,” Ulrika Bengts, director
- France, “Renoir,” Gilles Bourdos, director
- Georgia, “In Bloom,” Nana Ekvtimishvili and Simon Gross, directores
- Germany, “Two Lives,” Georg Maas, director
- Greece, “Boy Eating the Bird’s Food,” Ektoras Lygizos, director
- Hong Kong, “The Grandmaster,” Wong Kar-wai, director
- Hungary, “The Notebook,” Janos Szasz, director
- Iceland, “Of Horses and Men,” Benedikt Erlingsson, director
- India, “The Good Road,” Gyan Correa, director
- Indonesia, “Sang Kiai,” Rako Prijanto, director
- Iran, “The Past,” Asghar Farhadi, director
- Israel, “Bethlehem,” Yuval Adler, director
- Italy, “The Great Beauty,” Paolo Sorrentino, director
- Japan, “The Great Passage,” Ishii Yuya, director
- Kazakhstan, “Shal,” Yermek Tursunov, director
- Latvia, “Mother, I Love You,” Janis Nords, director
- Lebanon, “Blind Intersections,” Lara Saba, director
- Lithuania, “Conversations on Serious Topics,” Giedre Beinoriute, director
- Luxembourg, “Blind Spot,” Christophe Wagner, director
- Mexico, “Heli,” Amat Escalante, director
- Moldova, “All God’s Children,” Adrian Popovici, director
- Montenegro, “Ace of Spades – Bad Destiny,” Drasko Djurovic, director
- Morocco, “Horses of God,” Nabil Ayouch, director
- Nepal, “Soongava: Dance of the Orchids,” Subarna Thapa, director
- Netherlands, “Borgman,” Alex van Warmerdam, director
- New Zealand, “White Lies,” Dana Rotberg, director
- Norway, “I Am Yours,” Iram Haq, director
- Pakistan, “Zinda Bhaag,” Meenu Gaur and Farjad Nabi, directores
- Palestine, “Omar,” Hany Abu-Assad, director
- Peru, “The Cleaner,” Adrian Saba, director
- Philippines, “Transit,” Hannah Espia, director
- Poland, “Walesa. Man of Hope,” Andrzej Wajda, director
- Portugal, “Lines of Wellington,” Valeria Sarmiento, director
- Romania, “Child’s Pose,” Calin Peter Netzer, director
- Russia, “Stalingrad,” Fedor Bondarchuk, director
- Saudi Arabia, “Wadjda,” Haifaa Al Mansour, director
- Serbia, “Circles,” Srdan Golubovic, director
- Singapore, “Ilo Ilo,” Anthony Chen, director
- Slovak Republic, “My Dog Killer,” Mira Fornay, director
- Slovenia, “Class Enemy,” Rok Bicek, director
- South Africa, “Four Corners,” Ian Gabriel, director
- South Korea, “Juvenile Offender,” Kang Yi-kwan, director
- Spain, “15 Years Plus a Day,” Gracia Querejeta, director
- Sweden, “Eat Sleep Die,” Gabriela Pichler, director
- Switzerland, “More than Honey,” Markus Imhoof, director
- Taiwan, “Soul,” Chung Mong-Hong, director
- Thailand, “Countdown,” Nattawut Poonpiriya, director
- Turkey, “The Butterfly’s Dream,” Yilmaz Erdogan, director
- Ukraine, “Paradjanov,” Serge Avedikian and Olena Fetisova, directores
- United Kingdom, “Metro Manila,” Sean Ellis, director
- Uruguay, “Anina,” Alfredo Soderguit, director
- Venezuela, “Breach in the Silence,” Luis Alejandro Rodríguez and Andrés Eduardo Rodríguez, directores
El recorte final de nominados será anunciado el 16 de enero, tiempo suficiente para que los miembros de la academia se sienten a ver todo este gran material.





